Merhawit Made

2026

The Antidote to Fast Production

Merhawit Made

The Cultural Friction

The custom apparel industry is heavily dominated by faceless, mass-production print shops. It is a high-volume, highly transactional space where speed is prioritized over quality. Merhawit Made operates in direct opposition to this model, offering attentive embroidery and vinyl services rooted in human connection. The strategic challenge was to build a brand identity and e-commerce experience that immediately signaled this difference. I needed to design for a business that explicitly chooses to move with purpose in a world of fast options.  

Threading the Identity

To communicate this level of personal craftsmanship, the visual system had to feel inherently grounded and intentional.  

I developed a color palette rooted in warmth, utilizing tones like Brown Sugar, Earth Yellow, and Bone to evoke natural fibers, sun-washed textures, and handmade detail. The logo architecture reflects this same balance. It pairs a refined serif with a bold, modern sans-serif. By utilizing lowercase letterforms, the mark establishes a warm, approachable tone, while the inclusion of a hard period adds a definitive sense of quiet confidence and finality.  

To deepen the brand's narrative, an olive branch motif was integrated into the visual system, symbolizing rootedness while honoring the brand's Eritrean heritage and traditions of care.  

Digital Tactility

Translating the physical, tactile craft of custom embroidery into a digital storefront requires careful spatial pacing. The website had to actively avoid the cluttered, urgent UI typical of bulk custom apparel sites.

Using the neutral 'Bone' color as a spacious primary background , the digital layout forces the user to slow down and focus on the warm, textural brand imagery. The typography reinforces this premium feel, pairing the elegant, high-contrast Gilda Display for headlines with the clean, geometric structure of Manrope for highly legible body copy.  

The Output

From the first touchpoint, the messaging and the visuals are aligned. The hero section states it plainly: "Custom garments, made with care". By rejecting the visual tropes of automated print shops, the new identity successfully positions Merhawit Made as a refined partner for individuals, teams, and brands looking for garments made "by humans, for humans".

From the journal

Don't Treat Launch as the Finish Line

Don't Treat Launch as the Finish Line

Jan-Philip Radde
May 20, 2026
6 min

Don't Treat Launch as the Finish Line

The common expectation of design is that things should last forever. They should be solid and resist the natural decay that affects everything. We are trained to design against time, aiming for a fixed state. When a client approaches a studio, mine or anyone else's, the instinct is to forge something immutable, a digital monument. That is the wrong instinct, we must design for change, the only constant is change. Climate, technology, geopolitical dynamics, and, most importantly, the user's needs, they are all in relentless flux. To design for permanence is to create an immediately outdated product, one that is perfectly suited to yesterday’s conditions and becomes increasingly obsolete with every passing hour. We need to shift our design approach. Instead of creating static artifacts, we should be curating dynamic systems. Our focus should be on longevity achieved not through resistance, but through adaptability.

Working with Trades: Bridging the Gap Between Design and Craft

Working with Trades: Bridging the Gap Between Design and Craft

Jan-Philip Radde
May 20, 2026
3 min

Working with Trades: Bridging the Gap Between Design and Craft

In the world of graphic and web design, collaboration is at the heart of every successful project. Yet, when designers and tradespeople come together, there’s often an invisible wall built from years of assumptions, miscommunications, and missed opportunities. Having worked across disciplines and industries, I’ve seen firsthand how these barriers can be transformed into bridges if both sides are willing to listen, learn, and translate. Understanding the Divide: Designers and trades have long held certain perceptions about each other. Designers may see trades as rigid or overly practical, while trades might view designers as abstract or disconnected from the realities of building and making. These stigmas are rarely accurate, but they persist because both sides speak different languages, one rooted in abstract aesthetics and vision, the other in pragmatic materials and execution. The Power of Translation: The trades operate on efficiency, trust, and tangibility. Our designs must reflect those same core values, but through a different medium. When a designer talks about "visual hierarchy," the translation for a builder is "clear, immediate identification of critical information." When we discuss "negative space," the conversation should shift to "clarity" and "reduction of mental load," the immediate ability of a potential client to locate the service or product they need without unnecessary friction. This translation isn’t about compromise; it’s about synthesis. It’s about finding the intersection where design vision meets practical expertise. When both sides are invested in the outcome, the result is work that is not only beautiful but also functional, durable, and innovative. Communicating Value: One of the most important aspects of working with trades is communicating the value of design. Instead of justifying or defending your work, focus on clearly showcasing its tangible value. Show how thoughtful design can make a process more efficient, a product more desirable, or a space more intuitive. Mutual Benefit and Opportunity: When designers and trades collaborate effectively, the benefits are real and measurable. Projects run more smoothly, budgets are respected, and the end product often exceeds expectations. More importantly, these partnerships can open up new avenues for business and creativity. Trades gain access to new markets and ideas, while designers learn to ground their visions in reality, making their work more impactful. Moving Forward Together: The future of design is collaborative. By breaking down the old stigmas and focusing on translation and communication, designers and trades can create work that is greater than the sum of its parts. The process becomes not just lucrative but deeply rewarding for everyone involved.

The Discipline of Constraint: Quality Design on a Lean Budget

The Discipline of Constraint: Quality Design on a Lean Budget

Jan-Philip Radde
May 20, 2026
6 min

The Discipline of Constraint: Quality Design on a Lean Budget

In the design industry, the low-budget client is often regarded with a certain dread, a potential vector for scope creep, compromised aesthetics, and ultimately, a dilution of a studio's core quality standards. This perspective is understandable, yet fundamentally flawed. It presupposes that financial constraint is inherently antithetical to design excellence. It is not. It is merely a specific, potent form of constraint, and constraint, properly leveraged, is the engine of genuine innovation. Decoding the Scope: The Essential vs. The Superficial: The first and most critical step when engaging a low-budget project is the absolute clarity of scope. High-budget projects often tolerate a certain degree of feature bloat or aesthetic indulgence. A lean budget provides no such margin. We must immediately strip the project down to its functional core.

Let’s build something meaningful.

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